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Andy Irvine at EFC / Edinburgh FC – Live Video Stream!

Andy Irvine plays at Edinburgh Folk Club (EFC) tonight. The show will be live stream from the venues facebook page & will be available to watch for after if you miss it:

www.facebook.com/edfolkclub


ANDY IRVINE

Wednesday 18 April 2018

NB: this show will be live streamed. If you do not wish to be caught ‘in shot’ please chose your seat accordingly.
The Pleasance Cabaret Bar, 60 The Pleasance, Edinburgh EH8 9TJ
Time: doors 7:30pm / showtime 8pm
Admission: … £12 (non-members), £10 (conc), £9.50 NHS & emergency services staff, £8 (EFC members), £5 (students)

Tickets are available on line or at the door from 7:30pm

ANDY IRVINE is one of the great Irish singers, his voice one of a handful of truly great ones that gets to the very soul of Ireland. He has been hailed as “a tradition in himself”.

Musician, singer, songwriter, Andy has maintained his highly individual performing skills throughout his over 50-year career.

Andy has been at the helm of legendary bands like Sweeneys Men in the mid 60s, to the enormous success of Planxty in the 70s, and then Patrick Street, Mozaik, LAPD and recently Ushers Island. Andy has been a world music pioneer and an icon for traditional music and musicians.

As a soloist, Andy fills the role of the archetypal troubadour with a show and a travelling lifestyle that reflect his lifelong influence, Woody Guthrie. To quote the Irish Times, “Often copied, never equalled”, his repertoire consists of Irish traditional songs, dexterous Balkan dance tunes and a compelling cannon of his own self-penned songs.

source: www.efc1973.com

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SWEENEY’S MEN-SWEENEY’S MEN AND THE TRACKS OF SWEENEY.

A nice piece on Sweeney’s Men I stumbled upon…

dereksmusicblog

Sweeney’s Men-Sweeney’s Men and The Tracks Of Sweeney.

Label: BGO Records.

One of the bands that emerged from the mid-sixties Irish roots revival was Sweeney’s Men, who were formed in Dublin in May 1966, by Andy Irvine, “Galway Joe” Dolan and Johnny Moynihan. They would be together for just three years, and released two albums, Sweeney’s Men and The Tracks Of Sweeney which were recently remastered and reissued by BGO Records as a two CD set. These two albums feature one of the most important and groundbreaking Irish folk bands who went on to influence a generation of electric folk groups, including Planxty, Moving Hearts, Steeleye Span, and later, groups like The Pogues and Moonshine. By then, Sweeney’s Men story was over.

Four years before Sweeney’s Men was formed, O’Donoghue’s Pub in Dublin was where many Irish folk musicians gravitated and played in the evenings. Those that drank in the pub…

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Liam O’Flynn left ‘a perfect legacy for generations of musicians’

Here’s a nice piece written by Leagues O’Toole author of the must read “The Humours of Planxty” book.

Liam O’Flynn’s abilities first came to prominence as a member of the cutting-edge trad-folk band Planxty.

 

There has been a sad sense of anticipation leading up to the passing of Liam O’Flynn, or Liam Óg Ó Floinn as he was often referred to, amongst those who knew of his illness.

O’Flynn was no ordinary musician. There was something deeply significant about his work with the ground-breaking group Planxty, his remarkable solo recordings, his collaboration with late poet laureate Seamus Heaney, and other landmark projects such as The Brendan Voyage with composer Shaun Davey in 1980. It’s also no coincidence that O’Flynn graced the recordings of some of the music world’s deepest thinkers such as Kate Bush, Emmy-Lou Harris and Enya.

Gallery

Liam O’Flynn: master piper VIEW NOW

Liam O’Flynn plays for Paddy Glackin

O’Flynn was the foremost living exponent of that most mystical instrument, the uilleann pipes. He didn’t so much play the pipes as search them for the deeply resonant rapture and reflection that they brought to Irish music. Seamus Heaney perhaps said it best himself in the sleeve-notes of O’Flynn’s incredible 1995 solo album The Given Note: “There has always been a classical quality about Liam O’Flynn’s playing, a level, confident strength: you feel that he is unshakably part of a tradition. But there is something up and away about his style, a sheer delight in his own personal impulse. His great stature as a piper turns out to be one more instance of the truth of Oscar Wilde’s paradoxical law that in art the opposite is also true: in other words, behind these tunes you can hear freedom as well as discipline, elegy as well as elation, a longing for solitude as well as a love of the seisiun.”

Liam O’Flynn’s abilities first came to prominence as a member of the cutting-edge trad-folk band Planxty, put together by Christy Moore and also featuring Dónal Lunny and Andy Irvine. His piping and tin-whistle playing were central to the band’s exhilarating opening period in the early 1970s, beginning with Moore’s Prosperous album and the game-changing Planxty debut “the Black Album”. A regular feature of the Planxty performance was when the other musicians put down their instruments as O’Flynn performed a solo air or “aisling”, which always brought the venue to a meditative standstill followed by an emotional eruption of applause.

O’Flynn was universally considered a kind, thoughtful and private man. He lived in Kildare, where he felt a deep affinity with the land and a shared love of horses with his wife Jane, a well-known showjumper.

The Kildare-born musician began his journey with the uilleann pipes under the tutelage of the great Leo Rowsome, and quickly became a star apprentice winning numerous prizes at Oireachtas and Fleadh Ceoil competitions. He later developed under the guidance and influence of two giants of piping, Willie Clancy and Seamus Ennis. Through these influences O’Flynn developed an important understanding of the role he played within the tradition and lineage of Irish music culture. As he said himself: “Seamus Ennis gave me much more than a bag of notes.” And O’Flynn, as Master Uileann Piper of Ireland, never compromised this position once, leaving a perfect legacy for generations of younger musicians within this “living tradition” to learn from.

Happy St. Patricks Day!